“Books, that paper memory of mankind.”

Culture, Writing

“Books, that paper memory of mankind.” – Arthur Schopenhauer

Sometimes when I’m at a loss for words, or stuck for some kind of inspiration, or just when I’m being willfully distracted from some tedious task, I walk over to my bookshelves and idly peruse them – running my fingers across the spines, pulling one out a bit by the top corner, then pushing it back in, making sure they’re lined up nicely and randomly pulling one or two down to read the first page, or maybe the last.

Sometimes I even get a whiff of its scent and I stick my nose in before quickly shutting it close, lest I waste what I assume must be a limited amount of that precious aroma; good books smell like time past, and what can smell better than our own pasts, eroded down to encapsulated moments void of any unattractive context?

If I’m lucky, I’ll remember when and where I read that book, or even that page. You know how Ashton Kutcher’s character in The Butterfly Effect was able to time travel by reading his old journals? It’s kind of like that.

When I pick up my copy of Anne of Green Gables, I remember exactly when and where I was when I got it. I was 10, and I bought it – with money my mother gave me, of course – at a Scholastic book sale in the school library. According to the front cover, it cost $3.25 Cdn. It also still has the red Clifford the Big Red Dog stamp on the inside cover.

It wasn’t the first novel I ever bought, though. The first one was called Mad, Mad Monday by Herma Silverstein; it was about a teenage girl who conjures up the ghost of a dead jock named Monday when her loves spell goes awry. It says “Zalina Alvi Grade 2 Mkay Room 6.” I love imagining my seven-year-old self reading that book – almost as much as I love seeing my sister’s name crossed out and replaced with mine on the front cover of R.L. Stine’s Beach House. The tagline on the back reads “Swim. Sunbathe. Die.” Good times.

The nostalgia-sentiment tag team will get you every time.

So, when I say I hope that e-books don’t replace ink-and-paper books, you’ll know that my opinion is not devoid of sentiment. I’d wager that at least 50% of all arguments against e-books are fueled by nostalgia and sentiment.

Back in October 2009, Roger Ebert wrote a loving blog post about his life surrounded by books (and a general inability to get rid of ANYTHING that I feel borders on Hoarders-worthy). I appreciate his affection for what the physicality of three-dimensional, real-life books add to a life and a sense of home. The way he describes his books and his memories of procuring them makes me think of someone leaving breadcrumbs throughout their life, or – care for a more modern metaphor, Mr. Ebert? – like a save point in a video game.

On the day he linked to that blog post on Twitter, he went on to tweet a wide assortment of almost paradoxical scenarios that very clearly – and cleverly – demonstrate his disdain for e-books and his affection for traditional books. If you check his Twitter feed, you can find all of them by scrolling down to Aug. 14, but here are a couple of really good ones:

I got this H. P. Lovecraft e-book remaindered for $1. It’s had a sorta peculiar mortuary smell to this day.

We only met in the first place because she spotted the cover of the e-book I was reading across the aisle on the train.

My mom’s boss gave me this e-book of “The Swiss Family Robinson” when I was 7. Ostrich riding!

They express exactly why books have so much value for those who love them. I would hate to live in a world where I couldn’t lend a lovingly dog-eared book to a friend, or hand it down to my kids. Books add life and personality to a room. They give your eyes a place to wander, reflect and daydream. I still remember my grade 3 teacher giving me a copy of The Callendar Papers by Cynthia Voigt because she wanted to challenge me. Could that have happened in a world of e-books?

Maybe we’re just unwilling to let go.

But for all the advantages of “real” books, they are just that – advantages, not necessities. I wonder if this is just one of those inevitable transitional periods in history when technology – and her advocates – want to advance to a new medium, gadget or way of doing things, while some of us want to hang on to the things we love and the way we love doing things.

According to my Apocalyptic Science Fiction professor at York, E.M. Forster wrote his (fantastic!) sci-fi tale “The Machine Stops” (you can read the whole thing with that link) in 1909 in response to a crazy new fad called the telephone. In the story – at more than 12,000 words, perhaps “novella” is a better term? – people live underground in an all-encompassing, life-providing machine and only communicate with each other through round “plates” that “began to glow. A faint blue light shot across it, darkening to purple, and presently she could see the image of her son, who lived on the other side of the earth, and he could see her.” In the story, people have devolved into useless blobs who can’t stand direct contact with each other, and who never venture into the outside world.

Scary, isn’t it?

But you can’t help but think that Forster may have overreacted a bit. I liken the whole thing to how journalists mourn the demise of the print newspaper. I know that moving into an exclusively online news world isn’t just about paper vs. screens. Changing the medium changes the way the news is delivered, and the way it’s created. Forcing journalists and editors to produce stories every 10 minutes around the clock changes the game in every way – including putting a strain on the patience that good reporting requires.

But, at the same time, I can’t help but think it’s worth letting go of more traditional ways of doing things if we can save resources – paper, water, power – by putting them online. Perhaps it’s just a matter of weighing the pros and cons – and sentimentality doesn’t weigh a whole lot.

A little from column A; a little from column B.

So where do books fall into this debate? What are we really losing by replacing them by e-books that don’t require paper, trucks to distribute them or square footage to store them? We also don’t have to worry about disposing of unwanted books (a sad reality for millions of authors out there).

I think, ideally, we could have both. E-books have their uses, and there is certainly a market for them. But I hope we never stop publishing print books to keep filling our shelves. For that matter, I hope there will always be print newspapers, too.

To be fair, I think e-books could be really useful in one particular way: by replacing textbooks for grade-school kids and maybe even post-secondary school students. When I was in school, textbooks were heavy, often outdated and sometimes scarce. Wouldn’t it be better to give each kid one e-reader so they can have access to all their school books – and the ability to quickly search for what they need – without weighing down their bags or printing millions of new textbooks every time a planet is demoted to a comet? With the latest Kindle 3 at $140 US, I can’t imagine that it would be terribly financially prohibitive to replace textbooks with e-readers sometime in the near future.

I’m sure there are other downsides to e-books that I could cite, but whatever glitches or setbacks exist today could easily be fixed tomorrow. And as much as I love my print books, I may one day like to have the option of downloading a few books for the sake of convenience or to save some space and paper.

But for now, for those who would just prefer to download books and have no need or want to line their walls with pulp fiction and hundreds of Danielle Steel novels, they can have their e-readers. I’ll keep filling my bookshelves with things I can swat a fly with.

A potpourri post for Friday the 13th

Culture, Entertainment, Politics and Current Events, Travel

Random movie association: 8 reasons why the Twilight series is like Pretty Woman

I know it’s a stretch, but listen!

  1. Edward (in Pretty Woman) never eats or sleeps (almost never sleeps). Neither does Edward (in Twilight). In fact, Edward watches Bella eat in that restaurant, and Edward watches Vivian eat breakfast after their first night together.
  2. Bella has little to no confidence and is dazzled by Edward’s world. Ditto for Vivian.
  3. Bella gives up her “horrible” life to live in his. So does Vivian, for a little while, and we can assume that she continues to do so after the end of the movie.
  4. Edward (Twilight) sparkles. Edward (Pretty Woman) sparkles with money.
  5. Both Edwards are well-off with fancy things. Both Edwards “save” their respective ladies in a fancy, silver car.
  6. Bella and Vivian have friends who they think they’re better than.
  7. Bella and Vivian are both forcefully kissed by a guy – Jacob and Stuckey.
  8. Bella and Edward wait until they’re married to have sex. So do- wait, never mind.

Genius that was never meant to be read

In July, news surfaced that despite Franz Kafka’s desire to have his manuscripts burned after his death, a crazy legal battle is underway to open ’em up and take a look see. Meanwhile, people can’t wait to get their grubby little hands on Salinger’s mysterious unreleased manuscripts.

Maybe it’s just me, but I think if a writer didn’t want their work read, we should leave it that way. As much as it would be exciting to read them, and as much as it might bring a little more artistic beauty into the world – I still think it’s disrespectful.

On that note, I really like what Mark Twain did: leaving instructions not to publish his autobiography until 100 years after his death. That’s badass. Plus, we have his permission to read it.

I hope it’s as awesome as it sounds

A bunch of millionaires and billionaires have pledged to give giant chunks, or in some cases “the vast majority,” of their fortunes to charitable causes. It’s all part of The Giving Pledge, apparently started by Bill Gates and Warren Buffett, and there are 38 rich folks who are participating.

Questions! I assume the money will be donated after they die, but what if they get wrapped up in legal limbo? Also, what do they mean by “charity”? It would be horrible to see all that money go to waste by going to foundations or organizations that don’t know (or don’t care about) using the money properly, or it just recirculates in wealthy circles, or it ends up in the hands of corrupt dictators and dirty politicians in the developing world. Just saying you’re giving your money “to charity” is hardly enough. Also, how much are these people actually giving? I don’t see any specific numbers; we’re taking a lot on faith, here.

BUT, I think it’s a great gesture and I hope their promises pay off one day. Go George Lucas!

I can’t tell if this place is really cool, or really lame

It’s called Hicksville, and it’s a trailer park-themed artist retreat in and around Joshua Tree, California. I want to go to there.

There is no spoon, but there is a podcast!

Entertainment

This month, Colleen and I have decided to discuss trilogies, but despite last month’s promise, it’s not what you may be expecting… kind of like if you were suddenly pulled out of some pink goo and told that reality is an illusion. Kind of exactly like that. Also, the podcast is a little longer than usual, but we’re still charging you the unbelievably low price of free! And we may have neglected to explicitly reference the names of the second and third sequels (The Matrix Reloaded and The Matrix Revolutions, respectively), but we trust you already knew that anyway. Enjoy!

Love this movie, hate this film #3 (45 MB) Topic: The Matrix trilogy

I Hope It’s Worth It: Toronto’s G20 Protests

Politics and Current Events

Walking through the streets of downtown Toronto yesterday was like being transported to some dark alternate reality. Instead of hipsters and tourists, there were riot police and onlookers taking photos of smashed store windows and anarchist graffiti sprayed on abandoned streetcars, their drivers having jumped the ship at the first signs of chaos.

Of course, if you were watching the news on T.V. (or if you were following Twitter at the time), you would have been told two things: 1) the day started peacefully, and 2) the vast majority of protestors were peaceful demonstrators. But that being said, it wasn’t exactly Woodstock out there, either.

The march leaves Queen's Park.

When the organized and scheduled march left Queen’s Park shortly after 1 p.m. on Saturday, it was exactly what I imagined it would be. Groups from Greenpeace to Oxfam to CUPE marched with banners and chants; individuals carried signs and posters promoting every cause under the sun; and hundreds of photographers and onlookers took thousands of pictures from the sidelines. Oh, and one guy teetered atop the statue at Queen and University.

As the march passed by rows of police officers – some in riot gear – guarding the southern border, some yelled out calls of “shame!” and others just stopped to take pictures. The only real confrontation I witnessed was between a handful of protestors and one guy in a suit with an “Everything is O.K.” sign who seemed to be spewing pro-G20 rhetoric. That’s it.

Then the march reached Queen and Spadina. There was a giant sign with a green arrow that seemed to be directing the march north up Spadina, but hundreds of people (possibly thousands) congregated around the intersection, climbing up streetcar shelters, chanting and waiting. A flare was set off in the middle of the crowd at the intersection of Queen and Spadina, and the smell of pot and – I think – vinegar was in the air. There had been talk earlier from some groups about heading towards the security fence, so I assumed part of the crowd was diverting for that reason. So I waited for whatever was going to happen next.

Then a group of cops ran through the crowd in a flash. Everyone around me broke into a run towards the action, cameras at the ready. When we arrived at the scene, protestors and cops seemed to be at a stand-off. People were yelling “fuck the police!” and, on closer inspection, a police car had been vandalized. The windshield was smashed, along with its headlights and the lights on the top. After a few minutes, riot police marched in and the day seemed to take a drastic turn at this point.

As soon as the first signs of violence appeared, it was as if the crowd split into different fractions: onlookers, media, protestors who seemed bent on aggravating the cops to the point of violence, and the rest of the protestors who held up peace signs to cameras and sat cross-legged in front of rows of riot police. But for everyone, the march wasn’t about Tibet or free education or environmental concerns anymore – it was about yelling “these are our streets” to the police, taking pictures of smashed windows and graffiti, and wondering what was going to happen next.

"They're more afraid of us than we are of them."

You couldn’t walk 10 feet on Queen West without seeing a smashed window. You also couldn’t navigate through the streets without being confronted by a row of faceless riot police. Towards University, we found abandoned streetcars with anarchy symbols over the TTC logo (with what I hope was locally produced, organic spray paint). Mailboxes were strewn across the street and there seemed to be more curious onlookers taking photos than protestors.

Trying to leave the area to go home ended up being a difficult task. At every turn, a row of riot police were in a confrontation with angry crowds. Anyone will tell you that the vast majority of protestors were peaceful, but most of the people on the streets were bent on verbally attacking the police, practically begging them to demonstrate some of that notorious police brutality to justify our animosity. I understand the whole “fuck the police” mentality and the tradition of police prejudice that demands that, but I was still surprised by the level of hatred that radiated from the crowds towards the officers. Later, watching unmasked men and women trash police cars on T.V., I was still in awe.

It needs to be noted that in every instance where we were blocked from moving by rows of riot police, the officers never communicated with the crowd. There was a complete lack of communication from the police; no instructions of how to mediate or assuage the situation. All anyone could do was face the police and chant. Even those who were just trying to go home – like me – couldn’t get past the police blocking our way. I understand – to a degree – why they can’t break the lines to let a couple of well-intentioned people pass by, but it’s still frustrating when we assume the police want us to disperse, but at the same time prevent us from doing so.

Eventually, however, we managed to squeeze past the police lines and out of the hot zone. Reading my Twitter feed on my iPhone and getting texts from others in the crowd, I continued to hear rumours of tear gas being deployed, cop cars being set ablaze and more and more property being damaged. As we headed south, the last I saw of the police was a group in riot gear pounding their shields and advancing on the crowd.

I don’t need to relate anything else that happened yesterday, or that continues today, because you can watch all that on the news. But let me end with a couple more things to note:

Black Bloc: If one more person explains to me that there is no “black bloc group” and that it’s actually a tactic where people hide their faces and destroy symbols of capitalism before disappearing into the anonymity of the crowd, well, I’m going to smash your face in. I understand the definition, but I have to make the case that there was a specific group intent on destruction and violence yesterday. During the march from Queen’s Park, there was a very distinct group of people clad in black clothes and masks who physically obstructed photographers from taking their pictures. My half-serious, half-joking explanation was that they were probably planning on doing something illegal later on. These same people were later seen setting flares off at Queen and Spadina. The definition of “black block” may be a tactic, but there was a very specific group employing this tactic yesterday.

Us vs. Them

The Police: I think I may scrutinize the actions of the police this weekend for days to come. Why were cop cars left abandoned in streets, just waiting to be vandalized? Why were people able to completely destroy the cars, set them ablaze and then watch them burn to the ground well before any firefighters or police showed up? Why were the police concentrated in certain areas where the worst protestors were doing was trying to hand them flowers? They were obviously prepared for black bloc tactics, but could they have done more to prevent the damage that was done? Did they allow it to happen to create public condemnation of the protestors? Were innocent onlookers and media hurt during confrontations with more violent demonstrators? (I guess we’ll have to wait for confirmation on that.) And what was going through the heads of the officers while all this was going on?

From my perspective, the protestors and the police slipped seamlessly into their ascribed roles from the start. Crowds yelled “fuck the police!” and “shame!” while holding up peace signs, while the police remained defensive, waiting for the crowds to get violent and understanding that the only way to hold on to their precarious control was to be intimidating and unsympathetic. There was no other way for things to unfold, it seemed. We the Protestors, they the Man. And the issues lost as casualties in the fray.

The Media: Today, local media is abuzz with 500+ arrests, burning police cars and unfazed diplomats. There’s no doubt that your Facebook status is correct: Violence is ineffective. It obscures the message (although, to be fair, there were dozens of competing and unfocused messages being shouted from the crowds of the march well before chaos broke out, the effectiveness of which is also questionable, but that’s another blog post). Violence also drains public sympathy for protestors and their issues. This doesn’t need to be said; I think we’re all in agreement. And I suppose the media is limited in what it can report because a crowd yelling “Free Tibet” just isn’t as relevant as violence in our streets. So I suppose all I can do is shrug my shoulders and sigh.

Now, I hope the focus returns to the actual G8/G20 Summit. Let’s see what the fucktards have actually accomplished while we were tearing the streets apart. Toronto paid a high price for this summit, so I think we deserve an appropriate return on our investment. Time to pay up, Harper.

You can see my photos here: http://www.flickr.com/photos/zalinaalvi/sets/72157624365003924/

Spider-Man… with… dark skin? Get outta’ here!

Entertainment

Imagine you’re sitting in a movie theatre waiting to see the latest Spider-Man reboot. It goes: popcorn, previews, teenagers throwing gummi bears at your head, more previews, opening credits… wait, what’s this? Who’s that black guy? Is that… could that be Peter Parker? What the hell? That doesn’t make any sense! Peter Parker is WHITE, godammit.

Okay, I know your mind has just been blown to bits by this radical interpretation of a fictional character, but please consider this: what does Peter Parker’s ethnicity or skin colour change? When you think about his backstory, his family life, his love for the redheaded girl-next-door, or the story of his transformation from geeky high school kid to badass superhero, does his skin colour actually matter in any of that? Would he not have taken up photography? Would he not have blamed himself for the death of his uncle? Would he not have recognized that with great power comes great responsibility? No. The answer is no. If we changed his hair colour to blonde, would that be blasphemous? What about his eye colour? Again, the answer is no. None of that matters to who the character actually is or the story, so why can’t we change it?

Donald Glover

It seems pretty clear cut to me, but there are plenty of people getting all in a huff about the Twitter campaign (and Facebook group) to cast African-American actor Donald Glover as the next Spider-Man. While it seems like most people have hopped onto the bandwagon, some have insisted that it would be untrue to a classic and beloved character. In fact, in a recent interview Stan Lee (the comic god behind Spider-Man) said that it would be “confusing” to have a black actor play Spider-Man. And a few other comments I read about the idea also used that word: confusing.

If you think it’s important to stay true to the original incarnation of an iconic character, remember a couple of things. In the recent rebooted Battlestar Galactica series, two characters were changed from man > woman and from black > Asian without disrupting the precious sanctity of the original show. And in the Iron Man movies, as well as the upcoming The Avengers movie, Nick Fury is a white character played by Samuel L. Jackson. [Edited later: Take a look at the comments section below, where it’s pointed out that there actually is a black Nick Fury in the comics.] So, really, does the change hurt the movie? Frankly, if we have to put up with the unending barrage of remakes being spit out en masse by Hollywood, we should at least let directors and producers mix things up a little. If you don’t have any changes to make, or anything new to add to something, then don’t bother. And changing the ethnicity of Peter Parker? That’s something new, at least.

Of course, there is a dark side to casting an actor who doesn’t match the ethnicity of a character. Jake Gyllenhaal recently played the titular role in Prince of Persia without being Persian. And there has been a bit of backlash against M. Night Shyamalan for casting mainly white actors in Asian roles in the upcoming The Last Airbender. [Edited later: I’m having a hard time figuring out the ethnicity of the actors from this movie, aside from that guy from Twilight and Dev Patel. I assume that information must be out there, though, if people are upset that they’re “white”. If you can throw me an informative bone here, that would be great. Also, if you’ve watched the original Avatar: The Last Airbender, can you pinpoint for me exactly what the ethnicities of the characters are supposed to be? They don’t explicitly say, do they? They’re just “fire nation” etc. Based on what I know so far, it sounds like when M. Night says he saw the characters as ambiguously mixed, I gotta’ believe him. And that Noah Ringer’s gotta’ have some Asian in him.]

Personally, I have to admit it’s sad to see a white A-list actor play a character that could have been played by a minority; frankly, it seems like a missed opportunity to be more inclusive. But, at the same time, is that a double-standard? If Peter Parker can be played by a black actor, why can’t Prince Dastan be played by a part-Swedish, part-Ashkenazi Jewish actor? (Yeah, I IMDB’ed that.) Are we more comfortable with non-white actors playing traditionally white roles than the other way around? Is this a “give the minority” a chance issue? Are we just tired of seeing white actors getting all the roles? (And, let’s be honest, 99% of all the characters based on old movies, T.V. shows and comic books are white, so where does that leave everyone else when all Hollywood wants to make are reboots?)

Prince of Persia

So, on the one hand, we want to be able to open up roles to people of various ethnicities without insisting that traditionally white characters be played by white actors, and on the other hand, when we do come across a non-white character, the audience seems to want to stay true to the ethnic makeup of that character and movie execs just want to cast a tan Jake Gyllenhaal.

And, of course, there’s some grey area. In 1982, Ben Kingsley, who is half-Indian and half-English, played Mahatma Gandhi. Was that okay? Is he supposed to be 100% Indian? What about people who are 1/6 this, and 1/6 that? Who are they “allowed” to play? What about comedians who portray Barack Obama? Should they technically be half-black and half-white? When you start nitpicking about the ethnicity or skin colour of actors matching the genetic makeup of the characters, or people, they’re playing, you may end up playing a game of “trace the DNA” as more and more people have mixed backgrounds anyway.

I guess in a perfect world, there would be a diverse array of characters to play, accompanied by an equally diverse array of good actors to play them and no one would have to consciously try to a) mix it up a bit so it’s not all white out there and b) ensure that characters of a particular ethnicity get portrayed by actors of that particular ethnicity. But since it’s not a perfect world, what ethics dictate who should be cast in which roles? And who’s deciding?

Love this movie, hate this film #2

Entertainment

This time around, we’ve chosen to dissect two iconic coming-of-age movies of the “one crazy day” genre: Empire Records and Dazed and Confused. We don’t argue as much this time, but we do talk about drugs and rock-and-roll. Enjoy!

Love this movie, hate this film #2 (34 MB)

Everyone’s doing it

Entertainment

Hey, want to listen to two friends debate (read: argue) the merits of two movies? Yes? Then I have good news! My friend Colleen and I have started a podcast. You can download our first episode here, or check out the “Podcast: Love this movie, hate this film” page where I’ll post them as they’re completed.

Love this movie, hate this film #1 (30 MB) Topic: Thelma and Louise vs. Mona Lisa Smile

Thanks for listening!

P.S. Constructive feedback only, please. It’s our first time!

I hate them, too.

Travel

[Edited later: If you can’t tell by the relatively high number of comments on this post, I got featured in the Freshly Pressed section of the WordPress homepage and I’m rather proud to say I received about 7,000 hits over about two days.

One of the great parts about that was all the feedback I got about this post, including one comment from Robin Esrock from Word Travels, who promoted my post on his Facebook page and Twitter. Check out his comment below, where he says travel writing isn’t always the dream job people think it is, and you’ll also find a link to his site.

After reading all the comments, I just want to add that, realistically, being a travel writer probably isn’t all it’s cracked up to be. You’re always on the road, it’s a lot of hard work coordinating with different people in different countries all the time, and sometimes the locations are pretty remote. Even so, I’d probably choose that over data entry.]

If I were to rank the best jobs in the world, it would probably go something like this: Ian Somerhalder’s personal masseuse, roller coaster tester and then travel writer (or TV host). But until I can make all, or any one, of these a reality, I will have to be satisfied with reruns of The Vampire Diaries, trips to amusement parks and watching luckier bastards than me travel the world for the living. And in the meantime, I’ll watch my three favourite travel shows for pointers while I boil with envy.

Word Travels
Currently in its third season on OLN and CityTV (and Nat Geo Adventure internationally)
Hosted by Robin Esrock and Julia Dimon

This is a Canadian show that follows two travel writers as they, well, travel and write. It’s an interesting take on the traditional travel show, as it’s just as much about their personal experiences looking for stories and piecing together columns and articles as it is about the places they visit. Plus, having one writer – Robin – focus on the extreme side of traveling (like snowboarding down sand dunes in Dubai) and having another – Julia – write about the quirky, cultural side of travel (like training to be a gladiator in Rome) makes for a great diversity of content.

I also like reading about how the hosts of travel shows got those jobs. Robin, who’s based in Vancouver, used to work in music and marketing, but after being struck down by a car while on his bike he got a sweet $20,000 settlement and decided to run off and travel the world for a year. He wrote a column and a travel blog about it, and the rest is history. Julia, meanwhile, started her career writing a movie column for the Toronto Star at the age of 12 (yes, 12!) and after six years transitioned to travel writing. Someone needs to explain to me how she managed to get that gig.

Departures
Currently in its third season on OLN and CityTV
Hosted by Scott Wilson and Justin Lukach

Another Canadian production, Departures was initially supposed to follow two friends – Scott and Justin – as they leave their regular lives behind and travel around the world for a year. Luckily for them, the show was successful enough to extend their travels and they’re currently in their third season. The best part of this show is that neither of the hosts are experts in any sense of the word. At the risk of sounding patronizing, Scott and Justin are regular guys who interact with the places and people they meet from the same inquisitive perspective as their audience. Plus, they tend to shy away from the touristy, Travel + Leisure side of travel and stick to the less beaten paths. They even spent a whole episode on Ascension Island, a tiny island in the middle of the South Atlantic that hardly anyone has heard of. (Plus, they’re really cute.)

The show’s website doesn’t fully explain how the guys managed to secure this gig, but Scott has a film background (he met the camera dude Andre while in film school) and when they came up with the idea for Departures, he called up his old high school friend Justin and a show was born!

Anthony Bourdain: No Reservations
Currently in its fifth season on the Discovery Channel in Canada (the Travel Channel and the Discovery Travel & Living channel in the States)
Hosted by Anthony Bourdain

This American show highlights one of the best – if not the best – parts of traveling: food. Not only is food one of the foremost expressions of a culture, but it’s also something everyone can enjoy and it differs in very interesting and revealing ways from one place to another. The great part about this particular show is that Anthony brings an enormously likable persona and infectious love for food to every dish and beachside tavern. He’s also a bit grumpy and has a bit of disdain for vegetarians, but that’s all part of the charm. His knowledge of food and international travel makes him a hugely entertaining guide.

Anthony has a culinary background and jump started his life as a famous writer and television personality by writing about his life working in restaurants “good, bad and horrible” in his book Kitchen Confidential. He later combined travel and food in A Cook’s Tour and now he has his own awesome show.

So lost.

Entertainment

I’ve never watched Lost before, but since I felt really left out with the series finale craziness tonight, I decided to watch anyway. Here’s how that went…

9 – 9:07 Very confusing bits and pieces. There’s a doctor, and a guy who I guess used to need a wheelchair.

9:07 Priest named Desmond is orchestrating some kind of hostage situation that involves a fugitive and a corpse. I think he’s part of a crossover with Touched by an Angel.

9:08 I think the girl escaped to an island. Good for her. But everyone seems to have emotional baggage. Jacob seems to have been born again, or something. Or something.

9:09 A mission! To destroy a magical leprechaun in the Heart of the Island. Fun banter. Ominous close-up. Credits. Commercials!

9:14 Another hostage situation with a confused fugitive. If he’s driving a Hummer he must be a bad guy. Hey! It’s either Merry or Pippen! And he’s… goth. I think the big curly-haired guy is another Angel. A very badass Angel with a tranquilizer gun.

9:16 I think someone should be tending to that girl’s wounds. I can see the blood and I think her arm is broken. Where are their priorities?

9:17 Aragorn is captured. He calls the bald guy “Smokey.” Is he the Smoke Monster I keep hearing about?

9:18 I think one camp likes the Island. And the bald-headed guy wants to destroy it. I guess I’m rooting for the Island to stay put.

9:19 More characters! I don’t recognize these people from EW. They seem nice, though.

9:20 The T.V. screen goes crazy. I’m scared.

9:21 Ha, the kidnapping priest Desmond is now the hostage. How the tables have turned. Commercials!

9:26 I think the little guy in the back with the walkie-talkie is going to betray the bald guy.

9:27 Gah! More characters to keep track of…

9:28 Of course the black smoke is evil. I thought we were post-racial. Wait, there’s another island?

9:29 Now it’s a CSI-type thriller, possibly in the past, or future, or alternate sideways universe. With bedside drama and the FBI agent from V!

9:30 Japanese lady is having déjà vu for two. 😦 They’ve had some tragic love story. I’d watch that movie.

9:31 Hey! They speak English… Liars, trying to make that nice doctor look stupid. Commercials!

9:35 Boromir is running away to join Aragorn, Legolas and Gimli.

9:36 More hospitals. I thought this was supposed to set on an island.

9:38 These guys are being pretty dramatic about a grey hair.

9:39 Another plane crash with new survivors? Or is the pilot an original survivor? How long has he been floating in that water?

9:40 Damn. She really hates that bald-headed guy. Where did that gun come from? This is probably how she ended up in jail in the first place.

9:41 Okay, I’m dropping the LotR metaphor now. Commercials!

9:45 Aw, they call each other “doctor”, like “honey” or “sweetie.” Gag.

9:46 Oooh, Desmond is a weapon. I’m intrigued. Although, why doesn’t Desmond just run away? The bald guy only has a little knife. Also, Jake is going to kill the guy whose spine he fixed? Is that irony?

9:47 “I believe in you, dude.” Gag. I thought he was supposed to be badass. Where’s his tranquilizer gun?

9:48 So confused.

9:49 I guess that little waterfall is a wormhole or something. Cool. Commercials!

9:53 “You can’t let other people decide who you are, dude. You have to decide that for yourself.” Gag.

9:55 Syed to the rescue! Like Batman. Another love story… but inter-racial this time. So, do all these people have amnesia or something? Yay! Ian Somerhalder. I know him from The Vampire Diaries.

9:56 Another angry chick with a gun. Named Claire, apparently.

9:58 Desmond keeps talking about going towards the light. Does that mean what I think it means?

9:59 So confused.

10:04 Ohhhh, Claire is the pregnant sister. I’m getting’ it, I’m gettin’ it…

10:05 Angry chick reunion at a benefit concert with a very mismatched band.

10:07 The place at the bottom of that waterfall looks very mystical. No! Don’t step in the water! You’ll wake up the water zombies! Wait, no, that’s Harry Potter…

10:09 What the hell just happened? Did he pull out the stopper in some mystical drain to Hell? Uh oh…

10:10 Wow, Jake cannot take a punch. Commercials!

10:15 Damn, this show has everything. An impromptu birth backstage at a concert! Wow…

10:16 Damn, more déjà vu.

10:17 Oh, for heaven’s sake. Fastest delivery ever. Did she even cut the umbilical cord?

10:19 ANOTHER love story.

10:20 I can’t tell which one is the “real” world…

10:21 Earthquake! And panic music! And rain! It’s like someone is shaking the giant snow globe they’re all in.

10:22 Why didn’t they repair that plane five seasons ago? Locke probably stopped them. He’s super evil.

10:23 Showdown!… and commercials…

10:27 Gasp!

10:28 Gasp!

10:29 “What happened to your neck?” Oooooh, the worlds are bleeding into each other. So, is this going to be awkward when Locke wakes up?

10:32 All these moments where people are remembering their Island selves (I’m assuming…) are very touching. I’ve never even seen the things they’re remembering, but I’m so moved. Also, Jack is definitely going to be the last to remember. Loser. Commercials!

10:36 Where did those ladders on the side of the cliff come from?

10:38 All you need to fix a plane is duck tape. Noted.

10:39 Hmmm… maybe if you have that déjà vu experience in the sideways universe, you are free from the Island in the… uh, Island universe?

10:40 What is their attachment to the Island??? Gawd, learn to let go, guys.

10:41 They’re kissing each other goodbye, probably forever, and I’m just thinking about how uncomfortable it must be to be wearing wet jeans on a tropical island. Commercials!

10:46 Ha! See? Duck tape.

10:48 “Maybe you should read the machine its rights.” lol I’m going to remember that trick the next time a vending machine eats my money.

10:49 I feel a happy ending coming on. Uh, not that kind of happy ending. Commercials!

10:57 Somebody always has to be the suicidal hero.

10:58 “The Island needs you”? Is this like Little Shop of Horrors?

10:59 Ewww, don’t drink that dirty water. Magical dirty water.

11:02 How did she swim with what appears to be a broken arm?

11:03 Yay! Claire is going with them! No loose ends! I wonder where her kid is…

11:05 Yes, now put the phallus back in the hole and everything will be alright.

11:06 Free! Free at last! I hope they have enough gas to get… anywhere.

11:08 Jeez. Jack looks like he’s lost his mind. Commercials!

11:13 So is Ben going to just live out in that courtyard? Work out his issues?

11:16 Aw, Hugo is so sad. He’s got big shoes to fill… I’m assuming. Rise to the occasion, Hugo! Aw, he gave Ben exactly what he needed.

11:18 Everyone who’s had their memories restored seems so Zen. I guess Jack has the most emotional baggage.

11:21 Aw, it’s a little multi-faith chapel. How P.C.

11:22 Oh, snap. Someone lost the corpse. Oh, wait, not exactly… “Jack, I am your father.”

11:24 *tear* I guess dying can’t be easy… So, I guess the Island is, like, transitional therapy for newly dead people?

11:26 Wait, wait, no, the Island was real, and this sideways place is a place they made up to find each other… in death? Or, afterlife?

11:29 I still don’t get it. But at least everyone looks happy. Puppy!

11:30 To the blogs!